Suggested Programs

Celebrating Love

  1. I Celebrate Myself

  2. Sweet Love, Away

  3. If I Loved You

  4. Here I Am 

  5. Feeling Good

Queer Pride

  1. Feeling Good

  2. If I Loved You

  3. Here I Am

  4. Gloria 

  5. Hodie Gloriosum!

Proud & Strong

  1. Hodie Gloriosum!

  2. Here I Am

  3. Gloria

  4. I Celebrate Myself

  5. Feeling Good

Queer History

  1. Feeling Good

  2. Une Fillette a Son Vicaire

  3. If I Loved You

  4. I've Been 'Buked

  5. I Celebrate Myself

Repertoire Details

Sweet Love, Away

Jason Harris

  • An original setting by composer Jason Harris. The text selection is James Joyce’s poem, In the Dark Pinewood.

  • James Joyce’s work has been a cornerstone of both literary, gender and queer studies. Ahead of his time, Joyce wrote about love and sexuality and gender in ways that were fluid, queer-coded and certainly not normative for the time.

  • Slow, rich, elegant.

  • In the dark pine-wood
    I would we lay,
    In deep cool shadow
    At noon of day.

    How sweet to lie there,
    Sweet to kiss,
    Where the great pine-forest
    Enaisled is!

    Thy kiss descending
    Sweeter were
    With a soft tumult
    Of thy hair.

    O unto the pine-wood
    At noon of day
    Come with me now,
    Sweet love, away.

Feeling Good

Leslie Bricusse, arr. Craig McLeish

  • An acapella arrangement of Nina Simone’s cover of Feeling Good. One of her most well-known performances / songs.

  • Simone is a queer icon, civil rights activist and an example of someone who both persevered through mental illness and racism to build a strong and lasting legacy.

  • Uptempo, energetic, encouraging.

  • Birds flying high, you know how I feel
    Sun in the sky, you know how I feel
    Breeze driftin' on by, you know how I feel

    It's a new dawn
    It's a new day
    It's a new life for me, yeah

    It's a new dawn
    It's a new day
    It's a new life for me, ooh
    And I'm feeling good

    Fish in the sea, you know how I feel
    River running free, you know how I feel
    Blossom on the tree, you know how I feel

    It's a new dawn
    It's a new day
    It's a new life for me
    And I'm feeling good

    Dragonfly out in the sun you know what I mean, don't you know?
    Butterflies all havin' fun, you know what I mean
    Sleep in peace when day is done, that's what I mean
    And this old world, is a new world
    And a bold world for me, yeah-yeah

    Stars when you shine, you know how I feel
    Scent of the pine, you know how I feel
    Oh, freedom is mine
    And I know how I feel

    It's a new dawn
    It's a new day
    It's a new life for me

    I'm feeling good

If I Loved You

Hammerstein, arr. Deke Sharon

  • An acapella/barbershop-lite arrangement of If I Loved You, from the Rogers & Hammerstein musical, Carousel, by Deke Sharon.

  • While Carousel is not a queer-coded work in and of itself, the arranger of the piece, Deke Sharon, is an openly gay man who was one of the first composers to be out and visibly queer in the acapella and barbershop musical scenes - both of which remain quite normative and difficult for queer artists to find acceptance in.

    The song itself speaks of hidden love that feels too dangerous to speak aloud, and therefore, can only be spoken about as a hypothetical situation.

  • Ballad, wistful, longing, rich.

  • If I loved you
    Time and again I would try to say
    All I'd want you to know
    If I loved you
    Words wouldn't come in an easy way
    Round in circles I'd go
    Longin' to tell you but afraid and shy
    I'd let my golden chances pass me by
    Soon you'd leave me
    Off you would go in the mist of day
    Never, never to know
    How I love you, if I loved you
    Soon you'd leave me
    Off you would go in the mist of day
    Never, never to know
    How I love you, if I loved you

HODIE GLORIOSUM!

Felix Graham

  • In English: This Gloriopus Day! This is an original piece for choir, percussion and optional flute/recorder. Commissioned by The Greedy Peasant and St. John the Divine. The climax of the piece is the adaptation of the Pride foundation mottos: Love is love and Love will win

  • The original text and music were composed for the Pride Eve event held at St. John every year to celebrate the beginning of Pride month. The conceit is a quasi-medieval style, rousing song celebrating Pride.

  • Uptempo, rhythmic, rousing

  • Let pilgrims from across the sphere
    Come together without fear
    On this day

    Let young and old, hale or infirm
    Their joy and pleasure to affirm
    On this glorious day

    This day, this day,
    Loud sing this glorious day
    When pilgrims from all walks of life
    Set aside their cares and strife
    On this glorious day!

    Let poets with their lively verse
    Tell wonders of the universe
    On this day

    With pipe and drum, let mummers play
    Let voices sing a roundelay
    On this glorious day

    This day, this day,
    We sing this glorious day
    When pilgrims come from far and near
    Brimming all with goodly cheer
    On this glorious day!

    Along the pilgrim's path be strife
    With thorns and snags, the way is rife
    On this day

    Tho hateful foes may rise again
    Love is still love, and love will win
    On this glorious day

    This day, this day,
    Come sing this glorious day
    When pilgrims set their quarrels aside
    And celebrate the feast of Pride
    On this glorious day!

Here I Am

Suzanne McCoy, arr. Matthew Goinz

  • Here I Am is a song from Suzanne McCoy’s new, queer-themed musical entitled I Could Have Loved You.

  • This is a choral arrangement made for TRANScend to record (and will soon be released on Bandcamp).

  • Mid-tempo, acapella, resolute

  • There’s no use in lying,
    In trying, denying
    One look in my eyes and you’ll see;
    With you I do belong,
    This love was meant to be.

    All that I am now,
    It’s time for love to take a stand
    It’s time for me, so
    Here I am, Inside out
    Standing here before you;
    I am born,
    Unashamed and unrehearsed.
    Without a plan, without a doubt, inside out.

    Here I am, Inside out
    A little bit afraid, I must admit.

    What I know now,
    My heart won’t live without this love
    Without a doubt,
    Inside out

    Here I am, Inside out
    Abandoning our senses, here goes:
    Heart to heart, and hand in hand,
    Inside out,
    Heart to heart and hand in hand
    Here we stand.

Une Fillette

Dominique Phinot

  • A short piece by the gay Renaissance composer, Dominique Phinot, who was put on trial and executed for being openly gay. It is likely that Phinot was executed as much for his musical criticism of corruption and venality in the Catholic church as his queerness, as several contemporary composers who were also tried for homosexuality were either given lighter sentences or acquitted altogether.

    This particular text is a commentary on the sexual impurity of priests and the meaning of “you know very well what young men (and women) do in the hay together” implies that Father John is both lascivious (want her to tell him every detail) and impure (he should know because he himself pursues young ladies - and/or young men - in the hay, himself).

  • Phinot was a highly regarded, prolific composer, who wrote over 89 liturgical pieces alone in his short lifetime. His musical work was remarked upon as an influence by later composers such as Palestrina. His other works, of which this is an example, are biting, satirical “joke” songs, wherein corrupt clergy and their venal habits are skewered.

  • Midtempo, polyphonic, short!

  • Translated from the French (and sung in French)

    A young lady went to her vicar for confession
    And told him of the young men she’d met in the hay fields that summer.

    “Well, well,” said the Father. “And what did you do there? You must tell every detail in confession!”

    The young lady giggled behind her hands. “Oh, Father John, I heard you know very well what young men do with young women in the hay!”


Gloria

Sam Smith

  • A choral piece written and performed by non-binary pop singer, Sam Smith.

  • The title, Gloria, is a reference to Smith’s internal voice of encouragement, and the piece is a narrative of how that internal voice pushes him to be authentic, even in the face of “monsters in my head.”

  • Midtempo, encouraging, dramatic

  • Demons on my shoulder
    Monsters in my head
    Shadow in the water
    Will you be my friend?
    The world revolves around me
    As I lay in my bed
    Dreaming of more, more

    Be yourself so loud tonight
    They'll hear you from the stars
    Sparkling like dynamite
    If that is who you are
    A hymn for Gloria,
    It's all but a hymn for Gloria

I Celebrate Myself

John Michael Trotta

  • An original setting by composer Michael John Trotta. The text selection is Walt Whitman’s Song of Myself.

  • Whitman is considered to be one of the most prominent gay literary figures of the 20th century.

  • Uptempo, energetic, celebratory, pride

  • I Celebrate Myself

    There was never more than now.

    I am the poet of the body
    And the poet of the soul.
    I see, I dance, I laugh, I sing:

    All forces have been steadily employed
    To complete and delight me;
    Now on the spot I stand
    With my robust soul.

    O I celebrate myself,
    And I sing myself.
    Every atom that belongs to me
    As good belongs to you.

    There was never any more inception,
    Any more youth or age than there is now,
    And there will never be any more
    Perfection than there is now…

    Never more than now.

I’ve Been ‘Buked

Hall C. Johnson

  • A moving setting of a traditional African-American spiritual. This particular arrangement is a poignant reflection on the friction and rejection that Johnson himself felt around his queer orientation.

  • Hall Johnson was a queer Black composer during the Harlem Renaissance. Though he’s known for his choral arrangements of traditional spirituals, a lot of the pieces people attribute to spirituals are actually his original pieces, composed in the idiomatic style of the spiritual.

    Also lost to history is the fact that Johnson arranged and composed the music for the Broadway musical adaptation of the Pulitzer Prize winning play, The Green Pastures.

  • Slow, thoughtful, determined.

  • I’ve been ‘buked and I’ve been scorned, children.
    I’ve been talked about, sure’s you’re born.

    There is trouble all over this world, children.

    Ain’t gonna lay my ‘ligion down, children.